![]() ![]() The driver was courteous but we did have to wait until it got filled. Our van was new and well maintained (aircon in full-blast) and we were not packed like sardines. At P150.00/head, it is perhaps a bit high by provincial standards but I actually found it to be a good deal. The new Bacolod- Silay Airport was quite efficient,luggage was out in no time, washrooms were clean (with toilet paper to boot!) and getting to the city (Bacolod) a jiff.Ī note though, the airport is situated 45 minutes from Bacolod city proper and about 10 minutes from the Silay town center, its in the middle of nowhere and I didnt see any taxi options outside apart from the gaggle of van companies all competing for your ride immediately outside. My first impression of Silay was a good one. Well, to be honest, I wasn’t so keen on Bacolod city herself but was more inclined to a town which is practically her suburb: Silay. Yes, yes, I was all giddy with my recent trip to Bacolod, my first to the self-styled ‘City of Smiles’. Thanks to Out of Town Blog ,my fellow guide Carlos Celdran and Katrina Holigores for the photos. Let me again walk you through and see how architecturally rich this part of my city is. In 2005, I made a mini photo documentary of the houses in San Nicolas/Binondo-perhaps the biggest concentration of 19th century period homes in the city. We owe it in honor of the artistic legacy of our ancestral builders. I can only only hope (and pray!) that its architectural integrity is done right when it is resurrected in Morong. Still, it is with a heavy a heart that I document this unceremonious uprooting of a physical link with Manila’s past. Not unless somebody is willing to put millions into it. Rather than have it fall into that worse fate, this is probably is the most doable current option to save it. A fire could have devoured the house in a couple of hours- easy. It was a huge squatters camp with electrical wiring dangling dangerously near the wooden panels. I once took a friend who literally picked up a wooden carved detail which fell off the house. I, for one, am seeing a small light in this particular issue, the structure itself hasnt been very well maintained in the last few decades. Jerry Acuzar in Morong Bataan, something that my fellow namesake and heritage activist Ivan Henares takes a very, very strong stand against of. My sources tell me that the house is being rebuilt in the controversial colonial homes theme park of Mr. I can attest to this stylistic rarity as I’ve only seen two examples of this in my lifetime (in Chinatown) this and another one which is now just a mere facade. “The house is one of the surviving three-story structures from the 19th century that was once common in areas like Binondo that still retains most of its original fabric.” This part is even sadder when you realize what people had just taken apart. The facade and the house, forms part of an aesthetically and architecturally important street scape in San Nicolas, Binondo.” The facade is significant for its use of quality Philippine hardwood and the workmanship involved in its creation. The characteristics are evident in the delicate embellishments on the facade, including neo-Byzantine elements like slender colonettes and round wooden arches. ” The Casa Vizantina, made primarily of local hardwood, is aesthetically significant for being representative of the prevailing late 19th century Floral style bahay na bato in Binondo. ![]() Around after the second World War, the house was leased to various tenants. It was a school until 1919 when the Instituto moved to its own building at Sampaloc and expand to become The University of Manila. From 1914 to 1919, the house was leased out to Instituto de Manila to hold elementary and high school classes. According to Eliza Agabin, a researcher from the UST Cultural Heritage Studies program, this house ” was built in 1890 by a certain Don Lorenzo del Rosario. This was, after all, a no ordinary house. The old lady has finally bitten the dust. It was a house that awed me as little boy growing up in Binondo, its architectural merits carrying me through as I moved out of Chinatown, learning to appreciate and love the very unique qualities of our very own bahay-na-bato.Ī few Saturdays ago (May 09 to be exact), I was doing an impromptuu walking tour of San Nicolas’ old houses with a restoration architect and his friend when I saw this: Easily the grandest example colonial domestic architecture this side of Chinatown, this mansion eclipsed most of the period homes in terms of artistry, details and size. I am dedicating this tribute to fallen a grand dame.įor more than a century, this stunning three-story bahay-na bato has stood at the corner of Madrid and Peñarubbia streets in the heart of Manila’s San Nicolas district. ![]()
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